First Interview Gmagazine – April 2005

Flashback to 2005 when I first published my book The Asian Male – 1.AM and the guys at Gmagazine decided to conduct my first official interview by the now yoga expert Victor Chau. 

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G Magazine, April 2005

Interview by Victor Chau

Architect turned photographer Norm Yip has just published his first book, a set of sensual pictures of nude men called The Asian Male.” He tells us about his art.

You’re out as a gay man, and I heard your brothers are gay too. Well, I have five brothers and sisters. Two of my brothers are gay. Does my mom know? Well, I’ve told her many times, “Mom, I don’t like women. I like men.” She just doesn’t comprehend what being gay means. She keeps saying, “How can two men marry? Did you mean you two are good friends, son?”

Why did you switch from architecture to photography? Architecture offered me the money but not the artistic satisfaction. I was doing quite well and my company wanted to send me to Washington D.C., but I decided to stay in Hong Kong and quit my firm to look for a job. It was 1999 and it was a bad year. Then I set up a studio called Meli-Melo Artist Alliance, and start-ed doing creative stuff seriously: photography, drawing and painting.

Besides male nudes, what do you photograph? I do a lot of weddings for straight couples. They are my main source of income. I also do a lot of couples, gay and straight, clothed and nude. Sometimes they want me to do semi-nude. It’s entirely up to the clients.

Did your boyfriend get jealous of the male models when you were shooting them? No. He had quite a lot of confi-dence in me. But he did like being photographed.

Is he in the book? He is in the book, but we have since broken up. You’ll have to guess which one he is. In fact, his photo is my favorite in the book. I think it’s quite easy to figure out if you read the bios of my models closely.

Who were your first male nudes, and how did you find your models? My first male nudes were Nelson and Hon, a gay couple featured in my book. I shot them in 2000. They are friends. Then I started to get models from referrals. I also logged on to a muscle-guy website where Muscle Marys posted their profiles and I chose on the on screen.

People often talk about “sleeping one’s may to the top,” did that happen to any of the models? None of them offered to sleep with me, although I wish some of them had…

Really, not anyone? I’m not sure I should tell you this, but the truth is I did sleep with one of them, although he didn’t make it into the book. There was another incident. After shooting with two models they wouldn’t put their clothes back on… I picked up the message.

Were there any embarrassing moments? Did the models get a hard-on? Surprisingly no. Hard to believe, isn’t it? But it’s also understandable because they got so nervous and didn’t know what to do, and they were concentrating on their posing. Some are professional models, and they stayed very professional.

Do you think your book will be good exposure for the local gay community? I believe so. By doing this book, I was trying to achieve three goals. First, my book is about the appreciation of the fineness and beauty of the human body, especially the male body. Second, as an openly gay photographer, I hope to prove that anyone can achieve his goal, especially when it comes to art. A lot of Chinese people are deterred from the creative arts by their parents or peer pressure. They say things like, “You can’t make money by being an artist.” Third, I want to show everyone that not all nudity is sexual, erotic. The human body is a thing of beauty.

What difficulties did you face when you first started taking nude photographs? Hong Kong people have a funny way of seeing things. They equate nude with dirty. It’s not like that. I think there’s an underlying message in my book that my photos are not just sexual. In fact, I was taking a big risk when I photographed Nelson and Hon, my first male nude models; a lot of people were spreading rumors about my relationship with the models. At that time, my nude works weren’t well known and people had doubts about them. But now, they’ve seen my work and my status as an artistic photographer of male nudes has been recognized. I’m really pleased with it.

“The Asian Male” is $350 from branches of Page One, selected Dymocks and W.H. Smith (HK International Airport).

Ian getting ready for our first shoot

I first met Ian over ten years ago while hanging out in the scene. We met briefly at a mall to talk about a shoot but nothing came to fruition. He left for the Philippines, then Singapore, and now Taiwan. But as life had it, the coronavirus kept him from traveling back to Taiwan so he’s been here for a few months.

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Jun and the flawed Kodak TMax400 film that ruined a few great photos, or did it?

While rummaging through some boxes after moving into my (new?) studio in Kwai Chung, I managed to find some 120mm film negatives. They were images of Jun Li (film director of Tracey).  I decided to scan them. Unfortunately. the photographs were ‘ruined’ because of the peculiar numbers appearing on the film negative. I put the images aside because of this problem. Later, I found that this problem was not localized but a common problem with certain batches of Tmax400 films, most likely caused by high heat during transport. I couldn’t find sufficient information to verify the case. 

Regardless, I have scanned the trio of images at high resolution and will see if these can be used as a set that includes the numbers on the film. In many ways, I am finding the film flaws rather unique lending a certain character to the photographs. I will return later to let you know how it went and my final decision on whether it is worthy of becoming a vertical triptych. 

In my selection of images, I have also included the digital version taken before he took off all his clothes. 

To see the online set on my website which have been selected as limited edition prints, go to https://theasianmale.com/project/gallery-32-jun/. 

Making an UltraColour Tree

I just recently posted on my facebook and Instagram a new Ultracolour Tree, something that I began years ago after spotting a canopy of shapes, light and form in Tai Po. So every now and then, when I happen to be paying attention to what is above me when I’m walking in one of Hong Kong’s numerous parks, I will look for a tree with a canopy that spreads wide. The more intricate and winding the trunk and branches the better. 

My camera is an discontinued Nikon D700 and my lens is a 24-80mm F2.8. I do not try to get everything I see in a single image, but photograph all the parts of the tree on a more modest focal length like 50mm. In this instance, I took 13 photographs. I output the images in TIFF files with LZW compression and then use Photomerge to stitch the images together. The resulting image is like a puzzle that is pieced together. I have included that image in the images above. 

I then crop the image to what I feel looks pleasing to the eye and do any image manipulations like distortion, burning, dodging and fill (rarely) until I am happy. 

The final stage is the colorization. I normally will convert the image into a black and white and then use a gradient map to find colors that look appealing. It’s rare that I have something set in mind and more experimental, the playing of color and the contrast of one colour to the next. It is more intuitive now and my liking may change from one day to the next. 

The series: http://nyvastudio.com/project/ultracolour-trees/

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Sneak Peek – Experimental Digitisation

This is a sneak peek into some digital abstract manipulations that I am working on. For the most part, I have not gravitated to this genre of artwork, but only testing and evaluating the aesthetics for what the process holds. These are generated initially from photographs of nature and put through a digital process whereby colors are segmented into triangular vectors. They are beautiful to the eye and remind me of D-lab’s seminal work on a more theatrical setting. I have used one image where a human figure is processed. I think in some cases, this way of manipulation is just a gimmick and lends itself to illustrative studies.